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☆ ‘Venus of the Rags’ artwork replaced after original burned down in Naples
▼ + stars: | 2024-03-06 | by ( Jack Guy | ) edition.cnn.com time to read: +2 min

CNN —A new version of Italian artist Michelangelo Pistoletto’s “Venus of the Rags” has been unveiled in Naples after the original was destroyed in a suspected arson attack. The artwork—a statue of Venus, the Roman goddess of love, sex, beauty and fertility, and a heap of rags—stands in the Italian city’s Piazza Municipio once again following a ceremony Wednesday. The new version is “apparently identical” to the one that was burned, councillor Vincenzo Trione said in the statement. The work will be displayed in Piazza Municipio for three months before being moved to a permanent spot. Pistoletto first made the “Venus of the Rags” in 1967.

Persons: Michelangelo Pistoletto’s “, ”, Venus, Gaetano Manfredi, Michelangelo Pistoletto, Naples Gaetano Manfredi, Marco Cantile, Pistoletto, ’, Vincenzo Trione Organizations: CNN, Piazza, Pistoletto Locations: Naples, Italian, Piazza Municipio

☆ 'Venus of the Rags' to rise from ashes in Italy's Naples
▼ + stars: | 2023-10-27 | by ( Giulia Segreti | ) www.reuters.com time to read: +2 min

[1/3] Italian artist Michelangelo Pistoletto's 'Venus of the Rags' is displayed in Piazza Municipio before being destroyed in a fire, in Naples, Italy June 27, 2023. It will absorb what was left from the fire of the original artwork, art critic Vincenzo Trione explained, "to show that it is possible to rise from the ashes, not only metaphorically". The original "Venus of the Rags" was created in 1967 and various versions are on display in museums across Europe, including the Tate Gallery in Liverpool, northern England. I would have never thought in 1967 that I would find myself once again immersed in this piece of art," Pistoletto said, adding that "we must now heal (Venus)". The installation is meant to convey the juxtaposition between eternal beauty, represented by Venus, and modern society's social degradation and consumerism.

Persons: Michelangelo Pistoletto's, Ciro De Luca, Michelangelo Pistoletto, Vincenzo Trione, Gaetano Manfredi, Pistoletto, Giulia Segreti, Keith Weir, Tomasz Janowski Organizations: REUTERS, Rights, Naples, Tate, Venus, Thomson Locations: Italian, Piazza Municipio, Naples, Italy, Piazza del, Europe, Liverpool, England

[1/4] Italian artist Michelangelo Pistoletto's 'Venus of the Rags' is displayed in Piazza Municipio before being destroyed in a fire, in Naples, Italy July 1, 2023. REUTERS/Ciro De LucaROME, July 12 (Reuters) - An open-air installation of "Venus of the Rags", one of the most famous works by Italian contemporary artist Michelangelo Pistoletto, was destroyed by an arson attack in Naples, Mayor Gaetano Manfredi said on Wednesday. The "Venus of the Rags", a symbol of the Arte Povera movement which counts Pistoletto among its leading members, shows the Roman goddess of love, beauty and fertility standing next to a pile of rags. The installation, first created in 1967, is meant to convey the juxtaposition between eternal beauty, represented by the goddess Venus, and modern society's social degradation and consumerism. Editing by Raissa Kasolowsky and Devika SyamnathOur Standards: The Thomson Reuters Trust Principles.

Persons: Michelangelo Pistoletto's, Ciro De Luca ROME, Michelangelo Pistoletto, Gaetano Manfredi, Manfredi, Venus, Adnkronos, Pistoletto, Raissa Kasolowsky Organizations: REUTERS, Arte, Thomson Locations: Italian, Piazza Municipio, Naples, Italy, Piazza del

☆ ‘Rear View,’ a Show About Butts, Is Forward Thinking
▼ + stars: | 2023-04-20 | by ( Jason Farago | ) www.nytimes.com time to read: +2 min

The four art dealers who trade together as LGDR have opened a gallery on East 64th Street with a preposterous inaugural exhibition — but before you take that the wrong way, remember the etymology. Preposterous, adjective: from the Latin prae-, meaning “before,” and posterus, or “coming after.” Something preposterous is turned the wrong way. …I had better stop; “Rear View,” with more than 60 paintings, sculptures and photographs of human figures facing the more interesting way, invites a preposterous amount of wordplay. Many of the artists in “Rear View” channel their backward glances through the classical ideal. Michelangelo Pistoletto, the Arte Povera artist, places a concrete copy of the Aphrodite of Knidos in a pile of trash.

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